We are pleased to announce Interconnections: Journal of Posthumanism / Interconnexions: revue de posthumanisme. Our peer-reviewed, international, bilingual, open-access, interdisciplinary journal is devoted to theorizing what it means to think beyond both historical and current conceptions of 'the human' in ways that transcend the traditionally anthropocentric parameters of the humanities and social sciences. We seek to create a broad network of collaboration across disciplines, research areas, and language. We provide a forum for investigating problems and questions related to posthumanism and encourage contributors to devise tools and concepts to tackle the critical issues emerging within contemporary life that impact humans and nonhumans. We foster interdisciplinary engagement by publishing work that theorizes the interrelated workings of philosophy, politics, the arts, and the sciences. We seek contributions that move beyond Humanist frameworks and endeavour to construct theories and conceptual approaches that dismantle perceived hierarchies and categories of thought. Our journal is the expression of posthumanism’s engagement and embrace of interconnections.
A new publication by Digital Animalities team member Jody Berland examining the close interdependency of animal emissaries and new media from early European colonial encounters with the exotic to today's proliferation of animals in digital networks.
From cat videos to corporate logos, digital screens and spaces are crowded with animal bodies. In Virtual Menageries, Jody Berland examines the role of animals in the spread of global communications. Her richly illustrated study links the contemporary proliferation of animals on social media to the collection of exotic animals in the formative years of transcontinental exploration and expansion. By tracing previously unseen parallels across the history of exotic and digital menageries, Berland shows how and why animals came to bridge peoples, territories, and technologies in the expansion of colonial and capitalist cultures.
Berland's genealogy of the virtual menagerie begins in 1414 when a ruler in Bengal sent a Kenyan giraffe to join a Chinese emperor's menagerie. It maps the beaver's role in the colonial conquest of Canada and examines the appearances of animals in early moving pictures. The menagerie is reinvented for the digital age when image and sound designers use parts or images of animals to ensure the affective promise and commercial spread of an emergent digital infrastructure. These animal images are emissaries that enliven and domesticate the ever-expanding field of mediation. Virtual Menageries offers a unique account of animals and animal images as mediators that encourage complicated emotional, economic, and aesthetic investment in changing practices of connection.